Chrysler 200 puts a better face on the Sebring.
Considering that the Chrysler 200 was just a bunch of sketches a year ago, it turned out pretty well. Then again, in replacing the sad-sack Sebring, the 200 had extraordinarily small shoes to fill.In late 2009, as Chrysler and Fiat managers conducted emergency triage on the pentastar’s ailing product line, they identified the mid-size Sebring as a good place to put an extra few hundred million dollars. Besides a redesigned interior and the addition of the new corporate 3.6-liter V-6 to the lineup, the 200 gets a new face and tail, suspension improvements to wake up the Sebring’s sleepy dynamics, and extra steps to isolate the cabin from sound and vibration.
How bad was the Sebring? Olivier François, the man sent by Fiat to oversee the Chrysler brand as its president and CEO, says engineers actually worked up a plan to completely rebody the car in 12 months, including changing vital hard points such as the roofline and doors. That’s the auto industry equivalent of putting a man on the moon by the end of next Tuesday. But “vee zimply did not have zee time,” says François in an accent that could have come out of a bottle of Chartreuse.
Tight Schedule, Tighter Tolerances
The 200’s development timeline was so compressed that the lavish press kit for the car contains not a single photo of the interior, presumably because the design wasn’t finalized before the kit had to go to press. This is the kind of cowboy carmaking for which we used to love Chrysler and from which sprung the Dodge Viper, among other hot properties.
Engineers lowered the suspension by a half-inch in front and a quarter-inch in the rear and widened the track. Besides lowering the car, Chrysler increased the steering rate and swapped out the control-arm bushings for stiffer units to wake up helm response. Spring rates go up, and both anti-roll bars are thicker to reduce body motions.
As with almost every 2011 Dodge and Chrysler product, the 200 has an all-new interior with a one-piece soft-touch dash accented by a gated shifter, fine chrome filigrees, and low-gloss plastics. Two big dials give speed and tach info under a sculpted hood. Cheapness is now banished—or at least much better disguised. Not only is this interior classier, but it should wear better, says lead interior designer Klaus Busse.
From Terrible to (More Than) Tolerable
The carry-over 173-hp, 2.4-liter four-cylinder mates to a six-speed automatic in the Touring and Limited trims, and it pairs with a four-speed auto in the rental-fleet LX, which starts at $19,995. (A twin-clutch automated manual comes later in 2011.) The 3.6-liter Pentastar V-6 is optional in the $21,995 Touring and $24,495 Limited; it’s the standard engine in the S, the top-of-the-line model, for which pricing isn’t yet available.
The old Sebring drove with the enthusiasm of a 10-year-old Buick LeSabre. The 200 darts through corners with far more liveliness, less wallow, and less need for correction. The 2.4-liter engine’s mounting was changed from a four-point system to a three-pointer to reduce the pathways for vibration. This and increased sound deadening help further isolate the cabin, say engineers. When the engine spins toward its 6000-rpm redline, there’s less thrum and accessory whine and more of the surprisingly keen exhaust note.
The six-speed auto is a busy bee in the 2.4, downshifting quickly so the 200 can keep the pace up grades and when merging with freeway traffic. Fortunately, the shifts are quick and smoothed over by electronic finessing. The 283-hp V-6 launches the 200 hard and pulls with much more gusto. We expected more torque steer than was actually demonstrated under vigorous acceleration, and the transmission hangs onto the higher gears more insistently to aid fuel economy.
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